Tracklisting: The Way; Sweet Tea; Chemical Rain; Midnight Oil; All Falls Down; The Grey; Days They Come; Spit You Out; Strong; Invisible; Scars; Breathe; Solo (Bonus Track).
Bonus DVD content: Sweet Tea (videoclip); The Way (videoclip); Documentary “Making of the videos and EPK”.
Former Black Country Communion stars, singer-bassist Glenn Hughes and drummer Jason Bonham, have formed their new band California Breed, featuring the astounding talents of 23-year-old singer-guitarist Andrew Watt, the fact that their first album has been produced by Dave Cobb, whose spectacular work with Rival Sons has received so much acclaim, gives a big clue as to what they sound like.
“It’s proper rock,” says Hughes, “but at the same time it’s very now. Andrew is as influenced by Mick Ronson as he is Jimmy Page.”
“I grew up listening to all the grunge bands,” says Watt, “but my dad always played me The Who, the Stones and Led Zeppelin so that became my music too.
“This kid is amazing,” says Bonham. “The first time we met I thought he looked like the white Jimi Hendrix. And he plays in the studio likes he’s onstage!”
The three-man line-up got together as California Breed for the first time last year after Hughes was introduced to the newcomer from New York by their mutual friend Julian Lennon. “Julian was having an exhibition of his photographs at the Morrison Hotel Gallery in LA,” Glenn recalls, “and he said, ‘You must meet this guy, he’s the most fantastic guitarist – who turned out to be Andrew.”
Reconvening at Hughes’ Hollywood home a few days later, “The chemistry was just instant,” says Hughes. “We immediately wrote two songs together, Chemical Rain and Solo, both of which have ended up on the album. That’s when I called Jason and said you’ve gotta come down right now.”
“The energy when I walked in the room was crackling,” recalls Bonham. “I was so pleased. Glenn and I had not only really locked in as a rhythm section in BCC but we’d started writing together and we both really wanted to keep that good feeling going.”
Indeed, all 12 tracks on the as-yet untitled forthcoming California Breed album – the band have signed a deal with signed a deal with the Frontiers label - have equal co-writing credits amongst the band. Recorded at Cobb’s Nashville studio, “Everything was done more or less live,” says Hughes, “including the vocals. Which is the reverse of how I’ve always done things”.
The end result is a sound that combines all the classic rock elements of BCC – big, meat-cleaver riffs and heart-rending vocals – but with a 21st century gloss that comes from working with someone as up-to-the-minute and talented as Watt (whose previous music can be heard at his Soundcloud page and on the track below, with video directed by Mick Rock).
Look out for Midnight Oil, a raunchy Stones-esque rocker with breathless female backing vocals, deep groove rhythms and face-smacking guitars. The other breakout track is All Falls Down, the kind of spine-tingling pop-rock-who-knows-what that starts all colour and light and finishes all towering harmonies, back-arching guitars and epidemic-sized catchiness.
There are others but, as Hughes says, “This, I promise, is going to be something special.”
Glenn Hughes: vocals, bass guitar
Jason Bonham: drums
Andrew Watt: guitars
Produced by Dave Cobb
At the end of the 20th Century, few guitar virtuosi were as respected and revered as MARTY FRIEDMAN. After first rising to prominence alongside fellow six-string whiz Jason Becker in the influential band Cacophony and via his well-received solo debut "Dragon's Kiss," FRIEDMAN joined Megadeth, with whom he soon wrote and recorded the thrash landmark "Rust In Peace." His 10-year tenure with the iconic group -- during which they sold more than 10 million albums worldwide and earned multiple Grammy nominations -- saw the band's dream lineup reach its greatest heights, and FRIEDMAN's unique sonic contributions became heavy metal DNA that to this day continues to inspire new generations of metal fans.
On paper, it seemed as if FRIEDMAN was living the dream as a well-respected player in a multi-platinum act, but after a decade of cryptic, risky countdowns, the Washington, D.C.-native found himself anxious to explore new challenges. Soon after the release of 1999's "Risk," FRIEDMAN announced his departure from Megadeth and -- at least to many American fans -- vanished. A fanatical devotee of current Japanese music and pop culture, he rather suddenly moved to Tokyo, where continued to record and release albums that further solidified his guitar hero reputation overseas. Meanwhile, his absence from America seemed to aid the legend and influence of his previous catalog, which grew greater with each passing year.
In Japan, FRIEDMAN became an enigma of sorts: Armed with a fluency in the Japanese language, he left a platinum-selling American band to start from nearly zero to pursue his longtime dream of making his mark on the Japanese domestic music world. That mission was accomplished far beyond his wildest expectations, as FRIEDMAN has performed at the largest venues in Asia, including three shows at the Tokyo Dome and five at Budokan. In addition, he played on and wrote several Japanese Top 10 hits, including a #1 single in 2011 and a #3 single in 2012. At the same time, FRIEDMAN also became a popular Japanese television personality who not only hosted several programs, but was even featured in several long-running national television ad campaigns. He estimates he has made well over 600 network TV appearances in Japan, including three televised sold-out solo performances with the Tokyo Philharmonic Orchestra.
In 2012, Prosthetic Records -- a U.S.-based independent label that introduced the world to Lamb of God, Animals As Leaders and All That Remains, among others -- approached FRIEDMAN about giving proper American releases to four of his Japanese studio albums and reissuing another that had become unavailable Stateside. Those conversations led to discussions about making a new record that would see FRIEDMAN remind the world outside of Japan of his phenomenal talents and why he's considered the greatest lead guitarist in thrash metal history.
That wasn't enough for FRIEDMAN, though. "I wanted to create a new landmark to which my future music will be compared," he says. "That idea of just going completely balls-out -- knowing what the full potential of my music and my playing could possibly be, and actually making it a reality -- was what drove me through the whole process."
The result is "Inferno," FRIEDMAN's first album of original material in four years and his first in more than a decade to be released worldwide simultaneously. Recorded in Los Angeles with engineer Chris Rakestraw (Children of Bodom, Danzig) and mixed and mastered by Jens Bogren (Opeth, Amon Amarth), the album features what FRIEDMAN recently told Guitar World is "the most intense writing and playing I can do," with the goal of "go(ing) completely ape-shit, in the most 'Marty' way possible."
"I'm extremely proud of the work I've done with Cacophony and Megadeth, but I was never interested in looking back or stopping there," FRIEDMAN says. "'Inferno' is the album that fans of my work with those two bands have always wanted me to make. I've finally made it, and completely on my own maniacal terms."
Notably, "Inferno" includes several collaborations with players influenced by FRIEDMAN, including Alexi Laiho (Children of Bodom), Revocation guitar whiz David Davidson, the flamenco/metal acoustic duo Rodrigo y Gabriela and acclaimed rocker Danko Jones. In addition, the album features FRIEDMAN's first songwriting collaboration with Jason Becker since the pair played together in Cacophony. Ultimately, though, it's arguably the most compelling chapter yet in FRIEDMAN's improbable international journey -- one for which he's excited to have fans in all countries along for the ride.