NEW MUSIC

RATED X is an exciting and fresh new band built around the talents of four heavy-hitters of American Hard Rock. Comprising of vocalist Joe Lynn Turner (Rainbow, Deep Purple, Yngwie Malmsteen), guitarist Karl Cochran (Ace Frehley), fretless-bass monster Tony Franklin (The Firm, Blue Murder, Whitesnake) and iconic drummer Carmine Appice (Vanilla Fudge, Rod Stewart, Ozzy Osbourne, Blue Murder), RATED-X came about when Frontiers’ President Serafino Perugino suggested to Turner that it was time to put together a band that could highlight his abilities in a classic Hard Rock musical environment.


Appice was the first one who was called in to be part of it, given the long history of friendship and musical camaraderie with Turner. After a quick search, Tony Franklin soon agreed to be part of the band – thus reuniting the rhythm section that was featured in the legendary “Blue Murder” debut album. It was finally necessary to find the right guitarist and who could have been better than long time Joe Lynn Turner collaborator, Karl Cochran: a flamboyant guitar player that can masterfully handle the Arena Rock style, with a Classic Hard Rock sensibility second to none.

Under the executive direction of Perugino and the hard work of Frontiers in-house producer Alessandro Del Vecchio (Hardline, Livin’ Out Loud, Voodoo Circle) songwriting demos were laid down during the last months of 2013.

With ties to some of heavy rock’s most seminal bands – Rainbow, Deep Purple, Night Ranger, Blue Murder and Vanilla Fudge – RATED X is a modern day supergroup who can literally light up a fire in the music fans with its class and gusto, with a nod to the roots of the classic British Hard Rock sound!

RATED X
Joe Lynn Turner: vocals
Carmine Appice: drums
Tony Franklin: bass
Karl Cochran: guitars except as below.

Nikolo Kotzev guitars on Maybe Tonight, Peace Of Mind, Our Love Is Not Over and lead guitars on Stranger In Us All and I Don't Cry No More
Daniel Palmqvist guitars on You Are The Music

Produced by Alessandro Del Vecchio
Mixed by Pat Regan

How's about a little taste of SWEET LYNCH?



SWEET LYNCH— the new band featuring guitarist/vocalist Michael Sweet of STRYPER, legendary guitarist George Lynch (T&N,DOKKENLYNCH MOB), bassist James Lomenzo (MEGADETH, WHITE LIONBLACK LABEL SOCIETY) and drummer Brian Tichy(S.U.N.WHITESNAKE) — will release its debut album, "Only To Rise", on January 27, 2015 via Frontiers Music srl

Tracklisting: Cry No More; Soul Of A Warrior; When The Nighttime Comes; One Way Street; Blasphemy; Last Man On Earth; In For The Kill; Voice Of The Wilderness; All Hope Is Gone; Demonized; The Soul Is Eternal; Forevermore.

Level 10 is a new Trans-Atlantic Metallic alliance between powerhouse vocalist Russell Allen (Symphony X, Adrenaline Mob) and the charismatic bassist/producer/writer Mat Sinner, one of the real flags of German Heavy Metal music.

The pair met a few times during the years and swore to each other to fine the time and the chance to work together. The occasion came about when Frontiers President, Serafino Perugino managed to connect again the two and have them committed for the creation of a new Metal album which could melt the more contemporary and aggressive sound of Adrenaline Mob with the more traditional European Power Metal assault from Primal Fear.

Sinner did not save any effort and put together a killer lineup for the album, including his Primal Fear cohorts Randy Black (on drums) and Alex Beyrodt (on guitar) and called Roland Grapow (ex Helloween) and Alessandro Del Vecchio (Hardline, Voodoo Circle) to complete the lineup on lead guitar and keyboards respectively. On the songwriting side – besides the band members – the album also seens contributions from Magnus Karlsson, Carsten Schulz, Ralf Scheepers, Johann Fiegl, Sander Gommans and Amanda Somerville.

While the recording took a long time in between the commitments from the various musicians involved in this release, the result is an outstanding and super heavy – yet infectiously melodic album! With Allen’s over-the-top vocals and a powerful lineup second to none, the resulting album is – from start to finish a true delight for all the metal fans!

LEVEL 10
Russell Allen – Lead & Backing Vocals
Mat Sinner – Bass & Backing Vocals
Roland Grapow – Guitars
Alex Beyrodt – Guitars
Randy Black – Drums & Percussion
Alessandro Del Vecchio - Keyboards

Release date:
EU – January 23rd 2015
NA – January 27th 2015

Norwegian Rock Stars, singer Jorn Lande and guitarist Trond Holter (aka Teeny of WIG WAM), have created a new Rock Opera concept album about the life of Count Vlad the III, Prince of Wallachia, widely known as Vlad, The Impaler or by his patronymic name Vlad Dracul(a). The whole story explores the inner struggle inside the multifaceted and engorging character that this mysterious 15th Century personality was, while also taking into account some of the metaphysical aspects that passed into literature, forming the whole basis of the vampire mythos.

On the album Jorn Lande– who impersonates the main character Dracula - shares lead vocal duties with Norwegian singer Lena Fløitmoen (representing Mina/Lucy from the Bram Stoker book). The duets feature Dracula and his women, which in the original Bram Stoker story is centered around Dracula’s first true love Mina (when he was a human before he sold his soul to the devil and became a vampire).

The drama of the story reveals Dracula’s inner battle, where he still remembers what true love was, and as he wandered the Earth for centuries with a thirst for blood, his loneliness and desire to be able to love again has led him to the brink of insanity. In the original Bram Stoker version, he leaves Transylvania by ship and when he meets Lucy's best friend, she reminds him so much of his first love Mina, that he becomes obsessed. Dracula sees her as some kind of "holy grail", too good to turn into a vampire.

Musically, “Swing of Death” is not like a typical rock opera or musical, since it has no storyteller or long instrumental parts or intros. It is an album that gets to the point with no detours and even if it exposes some diverse musical landscapes, it does include catchy and melodic songs with commercial radio potential. Musical influences come mostly from Meat Loaf and Queen with the ghost of Alice Cooper thrown in plus some Classic and more contemporary Hard Rock elements. The lyrics are not limited to the old days of Bram Stoker’s era and could easily be a Dracula story of today. 

Plans are being made to stage this entire Rock Opera on Norwegian theaters in 2015. More details will be revealed at a later stage.

Jorn Lande – Lead Vocals
Trond Holter – Guitar
Bernt Jansen – Bass
Per Morten Bergseth – Drums
Lena Fløitmoen Børresen – Duet vocals on “Under the Gun", "Into the Dark", "Save Me" and "River of Tears”
 
All songs written by Trond Holter & Jorn Lande
Produced by Jorn Lande & Trond Holter

Tracklisting: The Way; Sweet Tea; Chemical Rain; Midnight Oil; All Falls Down; The Grey; Days They Come; Spit You Out; Strong; Invisible; Scars; Breathe; Solo (Bonus Track).
Bonus DVD content: Sweet Tea (videoclip); The Way (videoclip); Documentary “Making of the videos and EPK”.

Former Black Country Communion stars, singer-bassist Glenn Hughes and drummer Jason Bonham, have formed their new band California Breed, featuring the astounding talents of 23-year-old singer-guitarist Andrew Watt, the fact that their first album has been produced by Dave Cobb, whose spectacular work with Rival Sons has received so much acclaim, gives a big clue as to what they sound like.
“It’s proper rock,” says Hughes, “but at the same time it’s very now. Andrew is as influenced by Mick Ronson as he is Jimmy Page.”

“I grew up listening to all the grunge bands,” says Watt, “but my dad always played me The Who, the Stones and Led Zeppelin so that became my music too.
“This kid is amazing,” says Bonham. “The first time we met I thought he looked like the white Jimi Hendrix. And he plays in the studio likes he’s onstage!”
The three-man line-up got together as California Breed for the first time last year after Hughes was introduced to the newcomer from New York by their mutual friend Julian Lennon. “Julian was having an exhibition of his photographs at the Morrison Hotel Gallery in LA,” Glenn recalls, “and he said, ‘You must meet this guy, he’s the most fantastic guitarist – who turned out to be Andrew.”

Reconvening at Hughes’ Hollywood home a few days later, “The chemistry was just instant,” says Hughes. “We immediately wrote two songs together, Chemical Rain and Solo, both of which have ended up on the album. That’s when I called Jason and said you’ve gotta come down right now.”
“The energy when I walked in the room was crackling,” recalls Bonham. “I was so pleased. Glenn and I had not only really locked in as a rhythm section in BCC but we’d started writing together and we both really wanted to keep that good feeling going.”
Indeed, all 12 tracks on the as-yet untitled forthcoming California Breed album – the band have signed a deal with signed a deal with the Frontiers label - have equal co-writing credits amongst the band. Recorded at Cobb’s Nashville studio, “Everything was done more or less live,” says Hughes, “including the vocals. Which is the reverse of how I’ve always done things”.

The end result is a sound that combines all the classic rock elements of BCC – big, meat-cleaver riffs and heart-rending vocals – but with a 21st century gloss that comes from working with someone as up-to-the-minute and talented as Watt (whose previous music can be heard at his Soundcloud page and on the track below, with video directed by Mick Rock).
Look out for Midnight Oil, a raunchy Stones-esque rocker with breathless female backing vocals, deep groove rhythms and face-smacking guitars. The other breakout track is All Falls Down, the kind of spine-tingling pop-rock-who-knows-what that starts all colour and light and finishes all towering harmonies, back-arching guitars and epidemic-sized catchiness.
There are others but, as Hughes says, “This, I promise, is going to be something special.”

Glenn Hughes: vocals, bass guitar
Jason Bonham: drums
Andrew Watt: guitars

Produced by Dave Cobb

 

At the end of the 20th Century, few guitar virtuosi were as respected and revered as MARTY FRIEDMAN. After first rising to prominence alongside fellow six-string whiz Jason Becker in the influential band Cacophony and via his well-received solo debut "Dragon's Kiss," FRIEDMAN joined Megadeth, with whom he soon wrote and recorded the thrash landmark "Rust In Peace." His 10-year tenure with the iconic group -- during which they sold more than 10 million albums worldwide and earned multiple Grammy nominations -- saw the band's dream lineup reach its greatest heights, and FRIEDMAN's unique sonic contributions became heavy metal DNA that to this day continues to inspire new generations of metal fans.
 
On paper, it seemed as if FRIEDMAN was living the dream as a well-respected player in a multi-platinum act, but after a decade of cryptic, risky countdowns, the Washington, D.C.-native found himself anxious to explore new challenges. Soon after the release of 1999's "Risk," FRIEDMAN announced his departure from Megadeth and -- at least to many American fans -- vanished. A fanatical devotee of current Japanese music and pop culture, he rather suddenly moved to Tokyo, where continued to record and release albums that further solidified his guitar hero reputation overseas. Meanwhile, his absence from America seemed to aid the legend and influence of his previous catalog, which grew greater with each passing year.
 
In Japan, FRIEDMAN became an enigma of sorts: Armed with a fluency in the Japanese language, he left a platinum-selling American band to start from nearly zero to pursue his longtime dream of making his mark on the Japanese domestic music world. That mission was accomplished far beyond his wildest expectations, as FRIEDMAN has performed at the largest venues in Asia, including three shows at the Tokyo Dome and five at Budokan. In addition, he played on and wrote several Japanese Top 10 hits, including a #1 single in 2011 and a #3 single in 2012. At the same time, FRIEDMAN also became a popular Japanese television personality who not only hosted several programs, but was even featured in several long-running national television ad campaigns. He estimates he has made well over 600 network TV appearances in Japan, including three televised sold-out solo performances with the Tokyo Philharmonic Orchestra.
 
In 2012, Prosthetic Records -- a U.S.-based independent label that introduced the world to Lamb of God, Animals As Leaders and All That Remains, among others -- approached FRIEDMAN about giving proper American releases to four of his Japanese studio albums and reissuing another that had become unavailable Stateside. Those conversations led to discussions about making a new record that would see FRIEDMAN remind the world outside of Japan of his phenomenal talents and why he's considered the greatest lead guitarist in thrash metal history.
 
That wasn't enough for FRIEDMAN, though. "I wanted to create a new landmark to which my future music will be compared," he says. "That idea of just going completely balls-out -- knowing what the full potential of my music and my playing could possibly be, and actually making it a reality -- was what drove me through the whole process."
 
The result is "Inferno," FRIEDMAN's first album of original material in four years and his first in more than a decade to be released worldwide simultaneously. Recorded in Los Angeles with engineer Chris Rakestraw (Children of Bodom, Danzig) and mixed and mastered by Jens Bogren (Opeth, Amon Amarth), the album features what FRIEDMAN recently told Guitar World is "the most intense writing and playing I can do," with the goal of "go(ing) completely ape-shit, in the most 'Marty' way possible."
 
"I'm extremely proud of the work I've done with Cacophony and Megadeth, but I was never interested in looking back or stopping there," FRIEDMAN says. "'Inferno' is the album that fans of my work with those two bands have always wanted me to make. I've finally made it, and completely on my own maniacal terms."
 
Notably, "Inferno" includes several collaborations with players influenced by FRIEDMAN, including Alexi Laiho (Children of Bodom), Revocation guitar whiz David Davidson, the flamenco/metal acoustic duo Rodrigo y Gabriela and acclaimed rocker Danko Jones. In addition, the album features FRIEDMAN's first songwriting collaboration with Jason Becker since the pair played together in Cacophony. Ultimately, though, it's arguably the most compelling chapter yet in FRIEDMAN's improbable international journey -- one for which he's excited to have fans in all countries along for the ride.

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Comment by David Lee on December 31, 2013 at 5:02pm

Starting Monday the 6th of January I'll be kicking off an hour or New music at 2 pm this will happen every week. It's your chance to hear new releases local artist from around the world (Yes Local music from over 20 countries) If you have suggestions please comment or reply to this Post!

Thx David 

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